Prince of persia dark prince series#

This means you have to time your jumps perfectly and then attack the enemy with a flurry of touchscreen taps as you bounce off the moving wall. Perhaps the most annoying aspectof the game is when moving platforms are introduced alongside enemies who guard the ledges above. In addition, these puzzle elements are a blessed relief as the niggling stylus-based platforming gets a bit samey after about an hour's play. Maybe tendrils are mightier than the pen? It's also a hoot manipulating the sticky tendrils to pick up enemies and then fling them out of the way.

Prince of persia dark prince series#

These generally take the form of puzzles involving dark coloured blocks and tendrils which can be manipulated by clicking on them with the stylus while pressing the DS' shoulder button.ДЄ good example of how this works in practice is a series of platforms that Zal moves, enabling the prince to leap to previously unreachable locations. Still, the Corruption motif does give rise to the game's best feature: a comic sidekick character - a magus called Zal - who can control corrupted creatures and items with his magical abilities. The plot is absolute tosh too, involving as it does an ancient deity spreading a substance called Corruption around the land and attempting to turn innocents into dark, fearful creatures. A lot of care and attention has clearly been lavished, although the childish anime art style is a bit of an odd decision. It's a shame, because The Fallen King contains some good ideas and the production values in terms of visuals and animations are high. And if you marginally miss-time your double tap or point to the wrong pixel, it all ends in tears with a crumpled body on the floor. You feel divorced from the action, like you're pre-programming the prince to perform his actions ahead of time. Or to double tap on the floor to make him roll. Nor is it much fun to poke at the far side of the screen to get him to run there. And when it comes to reviewing the stylus-based Prince of Persia: The Fallen King, there are plenty of occasions when even the most pacifist scribe would prefer to swap their writing implement - and the DS's little plastic pointer - and cleave their DS in two with a dirty great scimitar.Д«ecause, surprisingly for Ubisoft's Casablanca studio it seems, a fast-moving, acrobatic action game that consists of manoeuvring a character across dangerous precipices, avoiding spiky traps and onto moving platforms, doesn't work that well with a ponderous touchscreen/stylus-based control system.ДЇrankly, it isn't very satisfying to tap above a ledge to get the prince to leap up to it.

Of course, the reality is that sharp metal objects are more fascinating than slightly chewed biros. Well, at least that's what journalists say. They say the pen is mightier than the sword.